Free Downloads The Brothers Karamazov (Second Edition) (Norton Critical Editions)
The Second Edition of the Norton Critical Edition of The Brothers Karamazov is based on a significantly revised translation by Susan McReynolds. The text is accompanied by a detailed introduction, a pronunciation and explanation key for the novel’s main characters, and greatly revised and expanded explanatory annotations. “Contexts” presents a wealth of background and source materials relating to The Brothers Karamazov, to Dostoevsky’s own experiences, to current events, and to observations on a changing society. Included are the correspondence of influential literary and social critic Vissarion Grigorievich Belinksy and the author’s letters spanning three decades as well as a selection from Dostoevsky’s Diary of a Writer in which readers may trace the origins of this novel. “Criticism” offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O’Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson. A Chronology of Dostoevsky’s life and work and a Selected Bibliography are also included.
Series: Norton Critical Editions
Paperback: 848 pages
Publisher: W. W. Norton & Company; 2 edition (April 15, 2011)
Language: English
ISBN-10: 0393926338
ISBN-13: 978-0393926330
Product Dimensions: 5.6 x 1.1 x 9.3 inches
Shipping Weight: 1.4 pounds
Average Customer Review: 4.3 out of 5 stars See all reviews (490 customer reviews)
Best Sellers Rank: #241,579 in Books (See Top 100 in Books) #12 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > European > Eastern #158 in Books > Textbooks > Humanities > Literature > World Literature > European #1723 in Books > Literature & Fiction > History & Criticism > Criticism & Theory
"I would die happy if I could finish this final novel, for I would have then expressed myself completely."This statement from Fyodor Dostoyevsky helps elucidate both the theme and purpose of the The Brothers Karamazov, one of the greatest masterpieces of world literature. Superficially, the novel deals with a patricide and how each of the book's characters contributed directly or indirectly to that murder.Yet, The Brothers Karamazov, at its heart, is so much more. Its underlying theme deals with the drive for self-redemption in the eyes of both God and man and the role suffering plays in facilitating that redemption.Fyodor Karamazov has fathered four sons, Dmitri, Ivan and Alyosha, by two wives, and one, Smerdyakov, with a peasant woman known as stinking Lizaveta.Fyodor Karamazov, a vulgar and ill-tempered man represents, for Dostoyevsky, the Russian government of his times. Like the government, Fyodor shuns his children, preferring instead the materialistic, but joyless, life of wealth and possessions. His union with Lizaveta, who comes to represent all the peasants of Dostoyevsky's Russia, produces Smerdyakov, a bastard child who, in his own turn, will be raped and pillaged by the government and will go on to give birth, metaphorically, to bastard children of his own.Karamazov's eldest son, Dmitri, an impulsive sensualist, finds respect as an overbearing soldier but one whose inability to pay his debts eventually turns him into a poor and irrational man.Ivan, Fyodor's second son, is a cold intellectual who finds his fulfillment in his literary and creative abilities. He becomes famous through his writings, especially those concerning the Russian Church.
This book is over 900 pages long, and it took me only 2 weeks to read it, while working full time, which is a true testament to its compelling plot and masterful prose. That being said, this is not an easy read, but demands much of the reader. Besides being the recounting of a fictional parricide and the ensuing courtroom drama, this is also Dostoevsky's greatest rumination on the meaning of life, the difference between good and evil, the phenomenon of human guilt, and the existence of God and the Devil. Phew.The novel begins with introduction of the three Karamazov brothers (there is one other bastard son, but he is largely in the background), Alexei, Dmitry, and Ivan. All are unique and represent different parts of the human psyche. Alexei is benevolent and good, Dmitry is passionate and generous, Ivan is serious and intellectual. They all have their inner battles with God, which Dostoevsky brilliantly brings into the plot without losing the believability of the characters. About halfway through the book, their father, Fyodor Karamazov is murdered. Much like Dostoevsky's victim in "Crime and Punishment", Fyodor is an unsympathetic character who treated his sons horribly. Dmitry is the immediate suspect and a trial follows. Even though Dmitry is blamed for the murder, this novel circles around collective guilt in the eyes of God (if he exists, which is a question that clearly torments Dostoevsky). Who is responsible for the maltreatment of the Karamazov children? Who is responsible for tolerance of Dmitry's excesses? A rich cast of characters brings every possible aspect of personality into this debate, making this novel one of the most complete and well-rounded I have ever read. The theme of this book is the human condition...
Anyone interested in the central question facing mankind will find `The Brothers Karamazov' an essential guide. That question--on man's capacity for responsibility and the proper role of the state and religion--is posed throughout the story in dialogue and events, and is framed neatly in a 20-page section where Ivan presents a poem titled `The Grand Inquisitor' to his brother Alyosha. The chapter that bears that title (Book V, Chapter V) is a masterpiece in itself and should be studied for its narrative technique alone. But the ideas it presents are so immense, so mind-blowing and inspirational, that literary criticism is not sufficient.Indeed, `The Brothers Karamazov' should not be classed merely as a novel--it is a book of philosophy, theology, and sociology as well that ranks with the greatest documents in those disciplines. There is a fictitious plot, of course, and the characters in the story are some of the most interesting in all of literature, so it is rightly praised as a novel. But the modern reader looking for a plot of twists and romantic intrigues is bound to disappointment. Dostoevsky does not stir up drama through the placement of unexpected developments or improbable character traits. Instead, he relies on the inherent needs and wants of all men to make vivid his story.The amount of dialogue may be shocking (tedious) to one accustomed to the modern show-don't-tell policy in storytelling. Today, novelists and screenwriters let a character's actions speak for them--it is quicker and provides a much more convincing impression. It also limits the kind of ideas that are posed in the story to simple, prosaic ones like `she likes him' or `he wants to defeat him.
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