

Series: Phoenix Books
Paperback: 413 pages
Publisher: University of Chicago Press (February 15, 1956)
Language: English
ISBN-10: 0226096041
ISBN-13: 978-0226096049
Product Dimensions: 5.2 x 1 x 8 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (3 customer reviews)
Best Sellers Rank: #232,454 in Books (See Top 100 in Books) #165 in Books > Politics & Social Sciences > Philosophy > Movements > Humanism #1595 in Books > Textbooks > Humanities > Philosophy

This work attempts to resurface pieces of encrypted Renaissance literature which have unjustly passed out of the philosophical circles of the recent modern world and does so in a fashion which will be quite beneficial for the student of the Italian Renaissance or for well-versed philosophers who have either passed these texts by accident or sheer intent. Of the works displayed here the reader will find Petrarch in all his refined literary grace and splendor; and the inquirer will no doubt be left impressed with his sharp exposition of suggestive ideas. The great Lorenzo Valla also stands out in all his unique vigor, using the courteous method of the dialouge to impart his opinions on free will. Giovanni Pico Della Mirandola, the youthful champion of liberal studies, is found here as well, spinning the artful web-of-a-work, Oration on the Dignity of Man. A small portion of the giant corpus of Marsilio Ficino's works may also be digested: of the Latin scion of Plato's writings his Five Questions Concerning the Mind will only be discovered here. At last, the Aristotelian Pompanazzi's essay concerning immortality and Juan Luis Vives short work, A Fable About a Man, will be found here as well. Overall, the editors and translators should receive a gold-star for their efforts; the great men who wrote these treasured texts also deserve a place of precedence in the hall of histories men of literary and philosophical genius. A lover of literature, classic or contemporary, should come to grips with this compendium of Renaissance texts.
Renaissance is French for "re-birth." But what, exactly, was reborn? The human person as a rational soul capable of free thought and choice--if we take these Renaissance thinkers seriously.The first 119 pages are devoted to six pieces by poet Francesco Petrarca written in the mid 14th Century. "On His Own Ignorance and that of Many Others" is a wide ranging self defense against a group of Aristotelian attackers who suggested, essentially, that Petrarca's not very bright. You might expect a poet who developed the sonnet form (as Petrarca did in his Canzionere) to speak in a distinctive voice--and he certainly does.Petrarca claims that he's inspired by Cicero, the Roman rhetorician/politician: "You might be astonished, if you did not know me that I can hardly tear myself away from Cicero, so much am I fascinated by this genius. Even now I am carried along by the no longer unfamiliar charm of the subjects he treats . . . Furthermore, he points out the miraculously coherent structure and disposition of body, sense and limbs, and finally reason and sedulous activity." He then engages in a discussion of whether it's better to have a good will or strong intellect (Petrarca himself had both): "It is safer to strive for a good and pious will than for a capable and clear intellect. The object of the will, as it pleases the wise, is to be good; that of the intellect is truth. It is better to will the good than to know the truth. The first is never without merit; the latter can often be polluted with crime and then admits no excuse."Bravo. It's not enough to be "smart."What's impressive here is the focus on how a person should be, what traits and characteristics one ought to adopt to live a virtuous life--with the idea implicit that one has a choice, is master of ones own destiny.There's no "one size fits all" idea of the self nor how to lead a proper life among these thinkers, who include Lorenzo Valla, Giovanni Pico Della Mirandola, Pietro Pompanazzi and Juan Luis Vives. All strive to define the self. We'd never say philosophy of "man" today, as in 1948 when this collection was created by the University of Chicago. The important thing is their recognition of a highly conscious self working on the self--a return to and enlargement upon classical ideas of the person stretching from Plato to St. Augustine.Marsilio Ficino's "Five Questions Concerning the Mind" taken from his Epistolae, Book 2 is a work of genius. Ficino, a neo-Platonist, asks whether the motion of the mind is directed toward a definite end, whether it's a particular or universal end and whether it's obtainable. The universe itself is the end of the soul, and it is entirely infinite, he concludes. Throughout his exhilarating exploration, Ficino isn't held back by dogma or doctrine--he's freely defining how the soul and mind might work on his own terms adapting classical thinking.Renaissance thinkers fly in the face of deterministic ideas. The independent self is thinking through its own destiny--not enslaved by a prepackaged "template" of thought.In our post-modern world, are we held down by determinist notions that our fate is decided by genes, gender, culture etc.? That's a question worth considering as Amartya Sen, Nobel Prize-winning economist has lately done. Sen deplores the "little boxes" that divide us and observes that ideologies typically slot people into communities based on a single dimension that trumps individual identities.Ideas of self and destiny need to be reconsidered every so often.Maybe now would be a good time. Maybe another rebirth is needed.
This book is a fascinating introduction not just to the "Renaissance philosophy of man" (as the title has it) but to Renaissance philosophy in general. The introductions to each piece presented are excellent and informative; I was particularly impressed with the editors' linking of the Renaissance with the developments of the Middle Ages which produced the movement, factors too often overlooked and too great to be missed. The pieces selected are simply amazing. Pico della Mirandola's "Oration on the Dignity of Man" has been one of my favorite pieces of writing in all of history (not just the Renaissance) since the first time I read it. It was illuminating to be able to see it placed within the context of the spectrum and historical development of Medieval and Renaissance thought, to see where his ideas came from and where they led to in the minds and hands of others. I recommend this book for anyone interested in the Renaissance, anyone interested in filling in the gap between Medieval and Enlightenment philosophy, and anyone interested in being a human being.
The Renaissance Philosophy of Man: Petrarca, Valla, Ficino, Pico, Pomponazzi, Vives (Phoenix Books) The Cambridge Companion to Renaissance Philosophy (Cambridge Companions to Philosophy) Salsas and Moles: Fresh and Authentic Recipes for Pico de Gallo, Mole Poblano, Chimichurri, Guacamole, and More Marsilio Ficino (Western Esoteric Masters) Great Ideas of the Renaissance (Renaissance World) Religion in the Renaissance (Renaissance World) Women in the Renaissance (Renaissance World) The Dream of Reason: A History of Western Philosophy from the Greeks to the Renaissance The Dream of Reason: A History of Philosophy from the Greeks to the Renaissance Learning to Look: A Handbook for the Visual Arts (Phoenix Books) The Amazing Adventures of Phoenix Jones: And the Less Amazing Adventures of Some Other Real-Life Superheroes: An eSpecial from Riverhead Books Urban Blues (Phoenix Books) Philosophy's Second Revolution: Early and Recent Analytic Philosophy The Story of Analytic Philosophy: Plot and Heroes (Routledge Studies in Twentieth-Century Philosophy) Current Controversies in Experimental Philosophy (Current Controversies in Philosophy) Pink Floyd and Philosophy: Careful with that Axiom, Eugene! (Popular Culture and Philosophy) Writing Philosophy: A Student's Guide to Writing Philosophy Essays The Lord of the Rings and Philosophy: One Book to Rule Them All (Popular Culture and Philosophy) An Introduction to the Philosophy of Art (Cambridge Introductions to Philosophy) Embodied Philosophy in Dance: Gaga and Ohad Naharin's Movement Research (Performance Philosophy)