

Hardcover: 210 pages
Publisher: MFA Publications; Made in Italy edition (March 15, 2005)
Language: English
ISBN-10: 0878466851
ISBN-13: 978-0878466856
Product Dimensions: 1 x 9.5 x 12 inches
Shipping Weight: 3.9 pounds (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (32 customer reviews)
Best Sellers Rank: #238,255 in Books (See Top 100 in Books) #72 in Books > Engineering & Transportation > Automotive > Classic Cars #122 in Books > Engineering & Transportation > Automotive > History #531 in Books > Engineering & Transportation > Transportation > History

Jay Leno and Ralph Lauren are almost certainly America's two best-known car collectors. Each man's incredible collection of automobiles reflects their personality as well as their public image. While Leno's vast collection does include irreplaceable Dusenbergs and renowned racing cars, the contents of the hangers where he stores his collection are quite eclectic and reflect his unique interest in cars that have a story to tell. He is justifiably proud of his encyclopedic knowledge of automobiles and motorcycles, but his collection really reflects his blue-collar roots and blue denim personality.While Ralph Lauren also sprang from a modest, blue-collar background, he was an ambitious young man and always aspired to be one of the moneyed "smart set". He made his fortune from his Polo collection of clothing, which was not so coincidentally influenced by the classical styles of the 1930s. For more than a generation Lauren has dressed men in a moneyed, tasteful way and his collection represents the finest, most visually stunning automotive rarities that money and taste can buy. Lauren's cars track so well with the style and cut of his apparel line that some of them have bee used as backdrops or props for advertising spreads. This lavish book was produced in 2005 on the occasion of the exhibition of Lauren's collection at the Museum of Fine Arts in Boston. Now, I think the practice of exhibiting automobiles or motorcycles in art museums is a dubious one and simply an attempt to increase their box office, but in any event, it was a beautiful exhibit. This is a large format book with photographs by Michael Furman, who is often said to be the finest automobile photographer working today.
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