

Paperback: 88 pages
Publisher: The Little Balkans Press (February 25, 2015)
Language: English
ISBN-10: 0982454953
ISBN-13: 978-0982454954
Product Dimensions: 5.5 x 0.2 x 8.5 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review: 5.0 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #846,263 in Books (See Top 100 in Books) #62 in Books > Literature & Fiction > Poetry > Themes & Styles > Family #638 in Books > Literature & Fiction > Poetry > Women Authors #3996 in Books > Literature & Fiction > Poetry > Regional & Cultural > United States

Johnsonâs poems are clear, spare gems of observation about the simple things that tell our life stories â hand-scrawled notes, Ball jars, and dish washing. She focuses mainly on her family, but readers will feel theyâre reading about their own families, too. Although the poems donât fall in chronological order, she begins in âThe Things We Keepâ about her fatherâs early death and comes full circle, ending with her own âSummer Wedding.â The first poem tells us about the notes her dad wrote to her after his stroke: âBut though he left as many notes/in my house as snowflakes in a snowstorm,/I didnât think to keep even one.â Perhaps that regret now shapes her poetic mission to keep what matters.While most of Johnsonâs poems deal with everyday moments, she also takes some entertaining leaps. She imagines âEmily Dickinson in 2012â â what Emilyâs life would be like if she were a poet today. In âElegy for the Class of 1999,â she envisions the three classmates who have died as the first to arrive at a party: âI picture balloons and a DJâ¦I picture them/growing bored with each otherâs company,/impatient for the big empty room to fill.âJohnsonâs easy, conversational style will make you want to pull up a chair at her kitchen table while the kettleâs on. You wonât be in any hurry to leave.
Although Melissa Fite Johnsonâs WHILE THE KETTLE'S ON is autobiographical, this fresh, candid poetry collection expands beyond the âConfessionalâ niche. With wit, restraint, and insights to human nature, she shares stories and characters from her family in the bookâs first section âFour Generationsâ and her new life as a married woman in the final section "The Ballad of Marc and Melissa.â In between, the sections, âRevising the Body,â âGood Housekeeping,â and âVulnerabilityâ display scenes from her youth and from her adult life as a teacher.In âThe Things They Keep,â (a poem from the first section that perhaps alludes to Tim O'Brien's âThe Things They Carryâ), Fite Johnson details notes her father wrote her when he struggled to recuperate from strokes. Then she names items her friends kept from their deceased parents and hints her regret that she âdidnât think to keep even oneâ of the notes. In this section, her wry sense of humor surfaces in "Visiting My Grandparentsâ Gravesâ with an image of her grandfatherâs âarms outstretched for eternityâ and the revelation that her mother married her father because she âknew he could kissâ in âMy Parents' Wedding Day.âHer words about her adopted brother reveal a restraint from sentimentality: I think of whatâs thicker than blood-- love, sure, but mostly our ability to unnerve each other with a look, the girlfriends he doesn't tell me about anymore, the money I wonât get back. How my first lie was to him. . .In the section âRevising the Body,â Fite Johnson shares feminine adolescence via bra sizes, eyeliner, Ouija-board experiments, and death of classmates through overdoses, liver damage, and a car crash. Again, her sense of humor and honesty create a section thatâs a delight to read.Next, she segues into the adult world with the âGood Housekeepingâ section, where she writes about a dying Bartlett pear tree, an odd dream about motherhood, picking pecans, a mason jar, and a poetry group. The title poem of this section contains vignettes of her parents: âThe mother of my childhood/is propped up by the vacuum handle./Her arms disappear at the ends/into filmy sink waterâ and âMy father's smoking/transformed the bathroom vent/from flute smooth to caked fireplace ash.ââThe Ballad of Marc and Melissaâ section shows a picaresque peak into the poetâs married life, including a scene from the title poem. âFor once, this apartment/without even a dog for company/is all I need: kitchenâs open window/lapping at rain drops . . .âOne of the most noteworthy poems âEmily Dickinson in 2012â lies in the âVulnerabilityâ section. Here, the persona composes a new collection of poems on her laptop, prints them, and shuts âeach document/without saving a single one." Fortunately, Fite Johnson saved her poems to compile in this uplifting, engaging collection.
Love this book. Poems on a variety of topics that are accessible without sacrificing craft or meaning. This is the kind of poetry people who "don't like poetry" will enjoy just as much as those of us who do
Johnson's poetry has a great deal of depth and emotional impact in concrete imagery. Her collection of poems offer an in-depth artful study and reverence for the human experience. I was deeply touched and enriched by Johnson's ability to show the beauty and grace in grief just as much as I was amused and filled with joy for her ability to show the humor in family. While the poems centering on the deceased father made my heart ache, the poem regarding Emily Dickinson thrilled me. If you love poetry, give this collection a try. It's welcoming and while it has a conversational approach, the poems are loaded with advanced crafting for those of you who are poetry experts.
I absolutely LOVE this sweet book of poetry! The collection is brimming with lines that are simple, honest, and sincere and strung together with an friendly, accessible pace. Regardless of your mood, you'll feel better after you read it!
This is a touching, often heart-rending, book of poems - full of life and love. It's best enjoyed with a cup of tea. I highly recommend it.
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