

Paperback: 134 pages
Publisher: City Lights Publishers; Rep Cen edition (April 8, 2014)
Language: English
ISBN-10: 0872866351
ISBN-13: 978-0872866355
Product Dimensions: 0.5 x 5 x 7.5 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review: 4.0 out of 5 stars See all reviews (3 customer reviews)
Best Sellers Rank: #276,427 in Books (See Top 100 in Books) #35 in Books > Gay & Lesbian > Literature & Fiction > Poetry #107 in Books > Gay & Lesbian > History #218 in Books > Literature & Fiction > Poetry > Women Authors

As the owner of the very hard to find 1914 first edition (and at least 15 other editions, both in English and in translation), I must commend City Lights Publishers for this significant and historic edition!GertrudeandAlice were not happy with the printing and binding of the first edition, which is a very fragile hardcover. Even though some may find this printing not to their liking, it is a quality paperback which, with its annotations and informational essays, will make this modernist, literary milestone accessible to a wide readership. GertrudeandAlice would approve!PSFor book collectors, books with uncut pages are often more valuable!
The book was printed very sloppily. There were many pages that were uncut so in order read them there are slight tears in them. Also, I cannot find a credit for cover picture. I'm not that knowledgeable of art so it would have been nice if it was named. However, the afterward and the notes on changes were very interesting and I'm glad this was published for the 100th anniversary.PS: I've noticed lately there a like editorial errors found in printed material. I thought spell checkers would have gotten rid of this. We pay a lot for printed text so I expect it to be as accurate as possible.
When we think of critical texts, the New Testament most often comes to mind. However, any piece of literature can potentially benefit from scholarly analysis and reconstruction to achieve as close as possible what the author originally intended. Seth Perlow has done exactly this with Tender Buttons: The Corrected Centennial Edition (City Lights Books, 2014), a new printing of Gertrude Steinâs famous collection of prose. At his disposal were the original manuscript, the first printed edition, and two separate sets of the authorâs handwritten corrections. The result is a critical edition that can be appealing to scholars and layreaders alike. There are no messy brackets and footnotes to disturb your reading, yet toward the end of the book, inquisitive readers will find sample facsimiles, a brief word from the editor, and a âList of Variancesâ that references alternative readings.You will also notice that this edition is fairly free from interpretation. Thereâs no introduction, footnotes, or the like to guide your reading. Contemporary poet Juliana Spahr does contribute an essay that touches on the history of interpreting Steinâs works, along with some references suitable for future research. However, being an afterward, it is conveniently located at the end, giving the impression that itâs not to take away from the readerâs initial contact with the work.Now, youâve probably concluded that Iâm well-satisfied with this edition. But what about the book in and of itself? Thatâs a different story. Not being familiar with modern literature styles, I was out of my element reading Tender Buttons. Scholars have debated as to how to understand Steinâs writing in light of her feminism, lesbianism, and controversial politics. In the section titled âRooms,â I noticed some parts that introduced ideas about gender and sex, but I didnât get a sense that those subjects dominated. Stein is also noted for her role in the development of Cubism, bringing a multiple perspective or multi-dimensional approach to literature as Pablo Picasso did to painting. In the âObjectsâ section, I could sense this cubist sort of style in âA Carafe, That is a Blind Glassâ and âA Red Hat,â which made me think I was on the right track. In general, however, I canât say I really get it. In the afterward, Spahr mentions that some have speculated whether or not Gertrude Stein was stoned when she wrote Tender Buttons. If thatâs the case, maybe her poems were never meant to be understood.Disclaimer: I received this copy of Tender Buttons: The Corrected Centennial Edition as a First Reads giveaway winner on GoodReads.com. There was no obligation to write a review.
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