

Paperback: 498 pages
Publisher: Columbia University Press; Reissue edition (April 15, 1991)
Language: English
ISBN-10: 0231052731
ISBN-13: 978-0231052733
Product Dimensions: 6 x 1.2 x 9.2 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review: 4.8 out of 5 stars See all reviews (5 customer reviews)
Best Sellers Rank: #1,025,246 in Books (See Top 100 in Books) #102 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > Middle Eastern #157 in Books > Textbooks > Humanities > Literature > World Literature > African & Middle Eastern #173 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > African

Some of the poetry in this volume are works that western readers would never have the privelege of reading and would have been otherwise deprived of the beauty of this work. A sensitive translation that involved each poet. Discover the voices of arab poets in this volume.
This book blew me away. Fearless poetry.....that's all I can say. These poems are utterly proud, audacious, textured, & profound. If you are a lover of poetry, you will not be disappointed.
Thanks for the book quickly sent. It was just a surprise that this book belonged to a Library, I don't remenber having read it, but ok
According to Jayyusi view, the cultural bias favoring the group over the individual remains constant, with the poet seen as "a worker producing for the group" with the poetic "product" limited by what the group can accept and utilize. Jayyusi believes poetry is thus driven by a social functionalism expressed in two main directions "one ideological of religious origin and the other musical, in the form of singing and tarab."In other words, poetry must serve a cause, and ideology in the first case, while in the second, and in fact the more keenly felt and popularly enjoyed function, the purpose is sheer pleasure and jubilation. Ideally, the two functions concur--this is the goal of such a poetry.Jayyusi emphasizes that "tarab," i.e. singing, remains fundamental, indeed intrinsic to Arabic poetry past and present. Poetic verse is always subject to this standard. "Don't we notice that the Holy Koran today, for example, is a matter of audition or tarab for most Muslims more than a matter of reading, and comprehension and contemplation," Adonis writes.Jayyusi points out that the two elements, "song" and "function (the serving of a cause)" are so fundamental that any poetic expression not embracing them is culturally relegated to the status of "philosophy," something deemed complex and remote from the people. Thus, unrhymed, non-musical poetry, poetry based on "contemplation and examination of inner worlds" lies so outside Arabic poetic taste as to be utterly marginalized, removed from any but a tiny, refined audience.Jayyusi sees a conflict between this cultural reality and his own conviction that poetry must challenge boundaries and establish new aesthetics. This poetic effort means embracing rather than spurning the difficulty and ambiguity of meaning. "The problem in this context, lies in the refusal of Arabic poetic taste to place poetry at par with the great cognitive and discovery intuitions."As Jayyusi points out, poetry continues to be judged by the causes and concerns it champions, and by the author's affiliations and ideologies. "Original readings concern themselves not with the essence of poetry but with its 'soil' and the 'climate' in which it is produced."This phenomenon, according to Adonis, will only be reinforced by society's increasing domination by the non-literate media, TV in particular. Thus, modern communications technology only serves the religious and social traditions already so profoundly established. This leads Adonis to an equally profound pessimism regarding the present and future chances of Arabic poetry to escape its traditional limitations.
The book came in 2 days and it is in the most perfect condition! Classic Reading and at a very awesome price! SWEET!
Pimsleur Arabic (Modern Standard) Conversational Course - Level 1 Lessons 1-16 CD: Learn to Speak and Understand Modern Standard Arabic with Pimsleur Language Programs My First Bilingual BookMusic (EnglishArabic) (English and Arabic Edition) My First Bilingual BookOpposites (EnglishArabic) (English and Arabic Edition) Moroccan Arabic: Shnoo the Hell is Going On H'naa? A Practical Guide to Learning Moroccan Darija - the Arabic Dialect of Morocco (2nd edition) (Educational Resources) Conversational Arabic Quick and Easy: The Most Innovative Technique to Learn and Study the Classical Arabic Language How to Learn and Memorize Arabic Vocabulary: Using a Memory Palace Specifically Designed for Arabic (Magnetic Memory Series) Living Language Arabic, Complete Edition: Beginner through advanced course, including 3 coursebooks, 9 audio CDs, Arabic script guide, and free online learning My Face Book (Arabic/English) (Arabic Edition) Pimsleur Arabic (Egyptian) Basic Course - Level 1 Lessons 1-10 CD: Learn to Speak and Understand Egyptian Arabic with Pimsleur Language Programs Modern Arabic Poetry Hip Hop Speaks to Children: A Celebration of Poetry with a Beat (A Poetry Speaks Experience) Children of the Outer Dark: The Poetry of Christopher Dewdney (Laurier Poetry) Best American Poetry 2016 (The Best American Poetry series) The Best American Poetry 2015 (The Best American Poetry series) Perrine's Sound and Sense: An Introduction to Poetry (Perrine's Sound & Sense: An Introduction to Poetry) Poetry Speaks Who I Am: Poems of Discovery, Inspiration, Independence, and Everything Else (A Poetry Speaks Experience) Poetry Speaks to Children (Book & CD) (A Poetry Speaks Experience) Arabic Geometrical Pattern and Design (Dover Pictorial Archive) Historic Designs and Patterns in Color from Arabic and Italian Sources (Pictorial Archives) Mother Tongue: My Family's Globe-Trotting Quest to Dream in Mandarin, Laugh in Arabic, and Sing in Spanish