

Paperback: 288 pages
Publisher: Da Capo Press; Reprint edition (July 28, 2004)
Language: English
ISBN-10: 0306813769
ISBN-13: 978-0306813764
Product Dimensions: 1 x 5.5 x 8.2 inches
Shipping Weight: 8.8 ounces
Average Customer Review: 4.3 out of 5 stars See all reviews (198 customer reviews)
Best Sellers Rank: #40,346 in Books (See Top 100 in Books) #53 in Books > Politics & Social Sciences > Social Sciences > Gender Studies > Men #64 in Books > Politics & Social Sciences > Social Sciences > Gender Studies > General #318 in Books > Politics & Social Sciences > Women's Studies

This book has been well summarized and reviewed, but here are a few hints to those considering buying it.(1) This is not a work of academic sociology. Do not come to Iron John for suggestions about social policy for your dissertation or articles. He does not regard professors as intellectuals, but rather puts them in the same category as businessmen or others trapped on soulless career tracks. Creative people are driven from academe quite early, in grad school, and Bly knows it. (2) This is a suggestive, exploratory, poetic attempt to use myth as a form of guidance for people in their real lives. That is, Bly seems more interested in throwing out powerful images and myths concerning men and men's lives and trying to make sense of them within our context of media-saturated consciousness than he is in traditional academic argument. It's an alternative to academic approaches, not in competition with them, and that is partly what makes it so wonderful: we're free to grasp at what interests us and leave what doesn't. Swimming in the questions is a beautiful thing. (3) Bly was an old 60s activist. If you can't bear the thought of someone not being conservative then don't read Bly. If, like me, you're conservative but not Republican, you'll be fine. (4) Having spent ten years in academe before running, screaming, in the opposite direction, I can tell you that Bly is no kow-towing feminist and no victimologist. Anyone who thinks Bly is too feminist needs to be stranded in a Women's Studies department for an afternoon. Then you'll come to him begging forgiveness. Bly is too careful of the feminists, I agree, but they're after him every step of the way trying to shut him up. He's despised by gender fascists, who see him as an advocate of violence against women.
Robert Bly explores the wild man, the king of the animals, the hairy man, in this expanded exploration of the Grimm's fairy tale of Iron John. Bly makes careful and thoughtful connections between the hairy underwater Iron John and the images of John the Baptist, the wild hairy man of Christiantiy.One especially helpful aspect of Bly's analysis is that it is through a wound that the male is reborn. Connecting this concept to the birth of Dionysus from the thigh of Zeus, he indicates that all men carry a wound from their boyhood and it is by the passing through this wound on to the other side that the man is initiated and becomes whole in his own masculinity and adulthood. Men are often wounded by their fathers during childhood and thus have deep buried feelings of not being good enough to meet the father's expectations or memories of acting foolishly in front of the father. Bly would say that the story of Iron John is that men must find the hidden wild man within them that guides them through the wound into adulthood. The wild man, the hairy man, Iron John, thus becomes a second father and initiates the young man into the world of adult masculinity. In Bly's conception, men must move beyond the wounded state and must explore the wound and move beyond it to be able to experience the full power of masculinity and adulthood. We have all known men who are the sons of smart, wealthy, talented men and the very brilliance, success, and abilities of the father wounds the son. The son is wounded because he will never be as honest, or as giving, or as respected, or as accomplished, or as wealthy, or as famous as their father. Being the son of a successful man is in itself a wounding process.
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