

Paperback: 240 pages
Publisher: Picador (September 13, 2016)
Language: English
ISBN-10: 1250098998
ISBN-13: 978-1250098993
Product Dimensions: 5.6 x 0.7 x 8.3 inches
Shipping Weight: 5 ounces (View shipping rates and policies)
Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
Best Sellers Rank: #6,201 in Books (See Top 100 in Books) #5 in Books > Science Fiction & Fantasy > Science Fiction > Short Stories #15 in Books > Science Fiction & Fantasy > Science Fiction > Anthologies #59 in Books > Literature & Fiction > Short Stories & Anthologies > Anthologies

âWe were like babies. Like Adam and Eve, some said. We reached out toward one another to see how skin felt; we let our neighborsâ hands run across our arms. In this world, we seemed to understand, we were free to experience a physical connection that weâd always longed for in the real world but had never been able to achieve. Who can blame us for being reckless?â(âChildren of the New Worldâ)âPublicly, we sold memories under Quimbly, Barrett & Woods, but when it was just the three of us, working late into the night, we thought of ourselves as mapmakers. [â¦] Here was the ocean, here the ships, here the hotel, here the path that led to town, here the street vendors, here the memories of children we never had and parents much better than the ones we did. And far out there was the edge of the world.â(âThe Cartographersâ)Itâs not often that Iâm so truly and hopelessly blown away by a collection of short stories. Anthologies with multiple contributors are almost always a little choppy, and even those written by a single author tend to be a mixed bag. But Alexander Weinstein? He works some serious magic in CHILDREN OF THE NEW WORLD.The thirteen stories found within these pages are beautiful, imaginative, and deeply unsettling. Together, they create a portrait of a future beholden to technology: where consumers willingly and happily abandon memories based on fact in favor kinder, gentler fictions; where humans rarely leave the virtual world, let alone their houses; where people fornicate like mad but reproduce through cloning â and sometimes even programming. Where lovers can peel back all their layers â metaphorically and literally â and grant their partners access to every fleeting thought, emotion, and memory. Where even the apocalypse is powerless to break the hold that mere things â Lego toys and Kitchenaid mixers â exert over us.I fell in love with most of the stories, and liked the rest well enough; not a single one rated less than 4/5 stars. Usually itâs hard for me to play favorites, but I definitely have mine here. In âSaying Goodbye to Yang,â Jim and Kyra adopt a little girl from China rather than clone themselves, as is all the rage in the U.S. To help bridge the cultural gap, they also purchase Yang, a sort of babysitter android programmed to speak Mandarin and teach Mika about her homeland. When Mikaâs âBig Brotherâ malfunctions, the narrator and his wife are made to recognize the central role Yang played in their lives â and his fundamental humanity. âChildren of the Real Worldâ also deals with parental grief, though of a much different (and even less socially acceptable) sort. I donât have kids, but Iâve loved and lost many dogs over the years â and the guardian in me can definitely relate.In this vein, âThe Cartographersâ is also melancholy AF, though you donât quite realize how much so until the very end. As with âChildren of the New World,â the tenuous line between whatâs real and whatâs not forms the emotional core of the story. How I long to say more, but spoilers!On the unsettling end of the spectrum are âMigrationâ and âRocket Night,â in which parents consider selling photos of them online; and actually *do* put their kids in rocket ships and shoot them into the stars. I didnât quite get the second story, though I suspect itâs symbolic of our tendency to sacrifice the âlesserâ among us for the greater good â but just what that good consists of, Iâm not sure. Or perhaps it has more to do with distancing ourselves from tragedy?Whatâs especially interesting about this collection is that, while each story is its own discrete entity, they come together in strange and unexpected ways. This could be the same âverse, or the same âverse at different points in time. Or it could be many different parallel universes, separated only by the delicate flutter of a butterflyâs wings. Or maybe (just maybe!) a judgeâs ruling that consciousness is, indeed, privately owned (âFailed Revolutionâ).Not even all of these are stories per se; âFailed Revolutionâ is a yarn masquerading as an academic paper, while the surprisingly funny (and feminist!) âExcerpts from The New World Authorized Dictionaryâ consists of several terms (brainflea, mushing, togging) and their definitions.Whatever form the story assumes, Weinsteinâs writing is graceful and lovely, earnest and thoughtful, and disturbing on so many levels. These stories are guaranteed to make you think â well into the wee hours of the morning. If you love speculative fiction or consider yourself a tech geek, you owe it to yourself to meet the CHILDREN OF THE NEW WORLD.Saying Goodbye to Yang â 5/5The Cartographers â 5/5Heartland â 5/5Excerpts from The New World Authorized Dictionary â 5/5Moksha â 4/5TheChildren of the New World â 5/5Fall Line â 4/5A Brief History of the Failed Revolution â 4/5Migration â 5/5The Pyramid and the Ass â 4/5Rocket Night â 4/5Openness â 5/5Ice Age â 5/5** Full disclosure: I received a free ARC for review through Goodreads. **
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