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Notes On The Cinematograph (New York Review Books Classics)

The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors—models, as he called them—and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for ­students of the cinema, will also prove an inspiration, much like Rilke’s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.

Series: New York Review Books Classics

Paperback: 112 pages

Publisher: NYRB Classics; Main edition (November 15, 2016)

Language: English

ISBN-10: 1681370247

ISBN-13: 978-1681370248

Product Dimensions: 5.9 x 0.9 x 8.3 inches

Shipping Weight: 13 ounces (View shipping rates and policies)

Best Sellers Rank: #305,103 in Books (See Top 100 in Books) #168 in Books > Humor & Entertainment > Movies > Guides & Reviews #201 in Books > Politics & Social Sciences > Philosophy > Aesthetics #297 in Books > Humor & Entertainment > Movies > Theory

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