

Paperback: 248 pages
Publisher: Oxford University Press; Reprint edition (September 1, 2015)
Language: English
ISBN-10: 019026201X
ISBN-13: 978-0190262013
Product Dimensions: 8.5 x 0.6 x 5.4 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (9 customer reviews)
Best Sellers Rank: #321,549 in Books (See Top 100 in Books) #71 in Books > Textbooks > Humanities > Philosophy > Aesthetics #214 in Books > Textbooks > Medicine & Health Sciences > Medicine > Basic Sciences > Neuroscience #221 in Books > Politics & Social Sciences > Philosophy > Aesthetics

Great book! Focusing on three overarching questions--What is beauty? What is pleasure? What is art?âChatterjee guides the reader across a wide range of topics, including the perception of faces, bodies, and landscapes; the enjoyment of food, sex, and money; and the analysis of both ancient and modern art. These domains appear to be quite diverse, but Chatterjee deftly shows how they are all interrelated, and he does so by drawing extensively on recent advances in not only evolutionary biology and psychology, but also cognitive neuroscience. He never goes overboard with these forays into the scientific literature, however; on the contrary, he always keeps the discussion at a level that is very accessible to nonspecialists and often highly entertaining. Moreover, I appreciated the fact that all of the chapters were pretty short and tight, since this enabled me to read the book very gradually over the course of about 6 weeks, while still feeling like I was sufficiently rewarded by each 15-minute dip into its contents. I would have liked more consideration of the musical and verbal arts, but Chatterjeeâs treatment of the visual arts turned out to be so brilliant that I ultimately came away from the book very satisfied. Neuroaesthetics is a new field of study that is slowly gaining momentum, and I strongly recommend this book as an introduction to some of the deep issues that are being explored.- David Kemmerer
Anjan Chatterjee has a talent to write about complicated, scientific matters in a way which is not only perfectly comprehensible but also catchy and amusing for non-scientific readers. Actually, this book brings you great insights in the way our brain works. What I particulary like is "the Humanities approach" to this natural science subject, as the themes of the book are how the brain functions with beauty, pleasure and art. I can recommend it to everyone with an interest of arts subjects or humanism, as it gives new perspectives into these fields.
Why we like beautiful things is a question that have been intriguing me since my high school days. I remember building an electronic gadget in early seventies that could produce numerically determined musical notes, and I would try it on my friends to see if they found it melodious or not. I developed my own ideas about the evolutionary roots of aesthetic appreciation, but could not find any books that would satisfy my curiosity.Many decades have gone by since my personal attempts to find an answer until I read Eric Kandel's "Age of Insight" and V.S.Ramachandran's "The Tell-Tale Brain". Both of these books had sections that discussed the neurological (the "how") and evolutionary (the "why") basis of visual aesthetics. The ideas in these books also inspired me to create a series of art pieces that dealt with these questions.Therefore, I was really ready to read Anjan Chatterjee's book -- an entire book dealing with this very question, and I was not disappointed. He has been able to present a wonderful summary of all the past work in this field, while making it accessible to non-specialists like us. I am also very glad that he didn't exclude the philosophical and social scientist's view of the topic. However, the most enjoyable parts are where he describes his own ideas about the subject and how he extended the frontier. I was truly surprised that Anjan Chatterjee didn't only deal with "beautiful" art, but also included purely conceptual art in his discussions. It is a very exciting time for this nascent field, and I can't wait to see what happens in the next few decades.
The author makes a heroic search for the roots of the artistic impulse in the neurophysiology of the brain.It may be reasonable to conclude with the author that a reductionist approach is not entirely satisfactory. Perhaps Clive Bell had it right in his search in art for "aesthetic form". Here we need to ask a daunting question: Using Bell's criterion, what is it that great works of art have in common, whether in the visual ,musical, or literary domain.J.R. Leibowitz, author of Hidden Harmony: the Connected Worlds of Physics and Art
The Aesthetic Brain is an empirical, situated, embodied analysis of the phenomenon of aesthetic meaning in humanity. This book is a benchmark in both case-based scientific studies and, more importantly, the beginnings of a cross-disciplinary understanding of a new domain in science altogether. A distinct awareness and appreciation of the history and importance of art in human life can be read on every page.
I was looking for a book about the nature of beauty and aesthetics and this was perfect! As an artist it was informative and as a human hugely eye opening. It is written well with a nice balance of theory and practical examples. I thoroughly enjoyed it.
The author's conversational style makes this book a great one for the non-science reader.It confirms the value of music and art in our schools--just as they're being eliminated!It's a fascinating read for anyone, but I especially recommend it to those teaching children.
extremely enlightening!
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