

Paperback: 416 pages
Publisher: W. W. Norton & Company; Reprint edition (November 17, 2001)
Language: English
ISBN-10: 0393322114
ISBN-13: 978-0393322118
Product Dimensions: 7.8 x 1 x 10 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (36 customer reviews)
Best Sellers Rank: #168,596 in Books (See Top 100 in Books) #47 in Books > Politics & Social Sciences > Social Sciences > Reference #76 in Books > Reference > Encyclopedias & Subject Guides > Mythology & Folklore #83 in Books > Reference > Encyclopedias & Subject Guides > Literature

Carol Rose has done it again! The companion to her much-acclaimed Spirits, Faeries, Gnomes, and Goblins: an Encyclopedia of the Little People, Giants, Monsters, and Dragons provides the same thorough lexicon of the fantastic. More of less everything her previous book left out (ie. the large mythical creatures) that I complained about in my review of the said book, this book covers. Got a question on Qanekelak? Wondering about Wendigo? Tired of asking about Asipatra? Just plain curious about the Cockatrice? Well this well-documented book provides all the answers to the questions you might ask (and even answers to wuestions you might NOT have asked).Not only does it include the traditional monsters, Griffins, Dragons, Ettins, etc. but it also includes folklore monsters from the American Old West (Fearsome Critters). Also, some of the more popularized monsters like Werewolves and vampires are carefully restrained within the pages of this book.Anyone who's had bad experiences with so-called encyclopedias of beasts-that-aren't, need not fear this book. It is not, repeat, NOT a re-telling of old folktales. This book states the physical description of each creature, in a clear, concise manner, and goes about with helpful information about it. If your trying to find their countries of origin, simply turn to the back for a thorogh cross-index of all the creatures.So why does it recieve four-stars from me? The artwork is sub-par. Rather than original pictures, which, I admit, can rapidly become tacky, she has chosen to reprint old drawings and wood-prints from ancient texts and her private collection. Not that I'm against old-school pictures, but I prefer a more modern-touch. Maybe I'm just being picky.
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