

Paperback: 401 pages
Publisher: Indiana University Press (January 22, 1960)
Language: English
ISBN-10: 0253200016
ISBN-13: 978-0253200013
Product Dimensions: 5.1 x 1.1 x 7.9 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review: 4.2 out of 5 stars See all reviews (51 customer reviews)
Best Sellers Rank: #53,801 in Books (See Top 100 in Books) #30 in Books > Literature & Fiction > History & Criticism > Movements & Periods > Ancient & Classical #79 in Books > Literature & Fiction > Poetry > Ancient, Classical & Medieval > Ancient & Classical #827 in Books > Textbooks > Humanities > Literature

Maidens become trees. Young hunks turn into flowers. Men become women; women become invincible warriors. And every time you blink, another poor wretch becomes a bird or turns to stone. In Ovid's Metamorphosis, nothing stays the same for long. A rich compendium of Greco-Roman mythology and history all ingeniously linked together by the theme of transformation, the Metamorphosis is a surprisingly sophisticated, erotic, and gory classic of ancient literature.Rapes, murders, wars, and all manner of perversion abound. Death is lingered over with almost forensic precision. The slaughter of arrogant Niobe's fourteen children, for example, is recounted in an exhaustive detail that would do any contemporary slasher flick justice, as one by one they're picked off in various grisly ways. This is classical gore--Ovid sounding like the Clive Barker of ancient Rome as in this excerpt from the massacre of the centaurs:[Exadius] found a weapon, a stag's antlersHung on a pine tree...And Gryneus' eyes were pierced by those twin prongs,Eyeballs gouged out; one of them stuck to the horn,The other rolled down his beard till a blood clot caught it.This is the sort of wonderfully nauseating detail that is repeated countless times in a masterpiece that often reads like the National Enquirer. It's hard not to believe that Ovid, like Shakespeare, was aiming his work for the mass audience of his time, which just goes to show you that the product of one age's pop culture is another's venerated classic. One only has to read Ovid's over-the-top account of the love-sick Cyclops to realize that black comedy ala the B-movies of Herschel Gordon Lewis had already been mastered some two thousand years ago.
Metamorphoses (Hackett Classics) Metamorphoses Metamorphoses: A New Translation The Metamorphoses Six Metamorphoses after Ovid. Op. 49. For oboe solo, etc