

Hardcover: 864 pages
Publisher: Belknap Press; Annotated edition edition (April 11, 2016)
Language: English
ISBN-10: 0674737962
ISBN-13: 978-0674737969
Product Dimensions: 6.4 x 2.3 x 9.4 inches
Shipping Weight: 3.3 pounds (View shipping rates and policies)
Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)
Best Sellers Rank: #133,745 in Books (See Top 100 in Books) #94 in Books > Literature & Fiction > History & Criticism > Genres & Styles > Poetry #199 in Books > Textbooks > Humanities > Literature > American Literature #287 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > United States

This should now be the definitive book of Emily Dickinson's poetry. It is important to know the sequence in which she wrote her poetry. (And helps even more if you have read "The Life of Emily Dickinson" by Richard B. Sewell, a wonderful biography of her life.) There are so many books of poetry out there supposed to be her poetry, but instead are poems doctored by well-meaning family and friends. I have yet to read the entire book, as it is long, but I intend to compare it to the prior authoritative version of her poetry by R. W. Franklin.I had thought from the advertisement of the book that it would have more photographs of her actual handwritten poetry fragments. However, there weren't very many of such illustrations. I might add that I also have the book, "Emily Dickinson: The Gorgeous Nothings," by Marta Werner andJen Bervin which includes multiple photographs of her handwritten poems or scraps of them. However, this book has its own problems as the poems from which they are drawn is listed in the end of the book as a Directory of the Envelope Writings rather than with the photographs of her writing in the main part of the book. The scraps photographed themselves do not necessarily help identify the actual poems by themselves.
Essential reading for those seriously interested in Dickinson, but at the price, worth it for anyone even just curious. We are finally reading Dickinson's poems in a manner in which she preserved them, which is about as close to "correct" as we can get. Still room for uncertainty, but that's a good thing, a place generative of thought, care, excitement.
very nice publication
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