

Series: Contemporary Dramatists
Paperback: 336 pages
Publisher: Bloomsbury Methuen Drama (May 9, 1985)
Language: English
ISBN-10: 0413566706
ISBN-13: 978-0413566706
Product Dimensions: 5.2 x 0.8 x 7.8 inches
Shipping Weight: 9.1 ounces (View shipping rates and policies)
Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
Best Sellers Rank: #117,458 in Books (See Top 100 in Books) #72 in Books > Literature & Fiction > History & Criticism > Genres & Styles > Drama #185 in Books > Literature & Fiction > British & Irish > Dramas & Plays #242 in Books > Literature & Fiction > Dramas & Plays > Regional & Cultural > European

This collection of Caryl Churchill's early plays is astounding. Tony Kushner rightly calls her the best playwright currently writing and these plays immediately make that clear. Churchill is an unabashedly feminist playwright whose work addresses issues of power and gender throughout history. Writing in the 1960s and 1970s, her plays are experimental, politically motivated, and ideologically challenging. They are also brilliantly clever, innovative, shocking, and often darkly funny."Owners" is the most straight-forward selection here and centers around real estate agents in working-class England. "Traps" explores some similar issues of working-class England but approaches them from a more lyrical, less structured way; Churchill prefaces the play by explaining that it does not conform to the limits of reality, but is ruled by the imagination. This becomes more clear as the play progresses, and the final moments of the play--wherein all of the characters take turns bathing in a washtub onstage--take on a beautiful, almost hallucinatory quality.I skipped over "Light Shining on Buckinghamshire" and went straight to "Vinegar Tom," which is a brilliant account of the English witch hunts. Churchill presents the play from a feminist perspective, focusing on the plight of various women who are victimized by witch-hunters. Like Miller's "The Crucible," Churchill argues that sexual hysteria, repression, and misogyny were the driving forces behind witch hunts; Churchill's spare, stark play is considerably more cutting, more shocking, and more bleakly funny than Miller's."Cloud Nine" is undoubtedly the highlight of this volume and stands as one of the most remarkable plays of the last 50 years.
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